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Sarah Walker
Sarah Walker began her musical life as a violinist at the Royal
College of Music and subsequently studied singing with Vera Rozsa,
with whom she has built up a wide repertoire ranging from Bach to
20th century works by composers such as Berio, Boulez, Cage, Henze,
Ligeti, Copeland and Ives.
Miss Walker is much in demand on the concert platform worldwide.
She appears regularly with the major British Orchestras, and has
sung at the major British and European festivals. She has been a
memorable soloist at the Last Night of the Proms and sang under
Leonard Bernstein in Beethoven's 9th Symphony in Berlin to celebrate
the opening of the Berlin Wall (televised worldwide and recorded
by Deutsche Grammophon).
She is closely associated with the Royal Opera House Covent Garden,
performing a variety of roles. With the English National Opera her
many roles include Cornelia ("Julius Caesar") which was
recorded for E.M.I. and for video. She has sung with the Vienna
State Opera, Scottish Opera, the Metropolitan Opera and Glyndebourne.
She has also performed in Geneva, San Francisco and Chicago.
Sarah Walker has perhaps received the greatest critical acclaim
for her recitals. Since the overwhelming success of her Wigmore
Hall debut she has visited all the major European cities and Festivals,
the U .S.A., Australia and New Zealand and has made numerous recordings
which reflect her vast recital repertoire.
In recent seasons she has appeared in "Der Rosenkavalier"
at the Metropolitan Opera, New York, under Kleiber, in "Peter
Grimes" at the Geneva Opera, as Mistress Quickly in "Falstaff'
for Scottish Opera and in "Le Nozze di Figaro" with the
Royal Opera House, Covent Garden in London and Japan. Concert appearances
have included the London Philharmonic Orchestra under Masur, the
London Symphony Orchestra under Tilson Thomas and the Halle under
Marriner and she took part in the EMI recording of "Peter Grimes"
under Haitink.
In the 1992/93 season, in addition to her busy concert, recital
and recording career, Miss Walker's engagements include Madame Larina
in a new production of "Eugene Onegin" in Paris (also
to be recorded for Philips Classics under Semyon Bychov) and Filipyevna
in "Eugene Onegin" for the Royal Opera House, Covent Garden.
Sarah Walker was made a C.B.E. in the 1991 Queen's Birthday Honours.
Malcolm Martineau
Edinburgh born Malcolm Martineau read Music at St Catharines's College,
Cambridge.
In 1981 he went on to study at the Royal College of Music with Kendall
Taylor, Geoffrey Parsons and Lyndon van der Pump, where he won all
the internal accompanist's prizes, and currently studies with Joyce
Rathbone. His subsequent awards include the Walter Gruener International
Lieder Competition in 1984 (and he was consequently asked back to
act as official accompanist in 1987). Malcolm accompanied Bryn Terfel
when he won the lieder prize at the 1989 Cardiff Singer of the World
Competition, Simon Keenlyside when he won the 1990 Elly Emeling
Award and has played at various master-classes at the Britten-Pears
School in Aldeburgh for Elisabeth Schwarzkopf, Suzanne Danco, Ileana
Cotrubas and Kurt Equiluz.
Malcolm has accompanied many of the world's leading singers and
among many noted instrumentalists has accompanied clarinettist Emma
Johnson. He presented his own series at St Johns Smith Square of
the complete songs of Debussy and Poulenc (recorded by BBC Radio
3). He has appeared at numerous Festivals throughout the United
Kingdom and given many recitals for the BBC.
Recent engagements have included recitals at the Aix-en-Provence
Festival, the Edinburgh Festival, his debuts in North and South
America and his debut at the Gulbenkian Foundation in Lisbon. Plans
include further recitals at the Wigmore Hall and on the South Bank
and in Paris, Belgium, Vienna, Germany and throughout the United
Kingdom. Recent recording projects have included the complete Faure
songs with Sarah Walker, two recordings with flautist Jennifer Stington,
a recital record with Della Jones and a recording for television
(made in Vienna) with Bryn Terfel. This season he embarks on a major
series of lieder recordings for Collins Classics.
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